Why was ‘Barbie’ snubbed by Oscars? 

In the glittering world of Hollywood, where dreams are spun into gold and stories shape our imagination, the Oscars are the grand stage where the best of the best take their bows. But in the midst of the glitz and glamour, there’s a tale of a plastic princess who danced her way into our hearts only to be left standing in the wings, wondering why the spotlight didn’t shine on her.

Barbie” (2023) may have received eight Oscar nominations, but that didn’t stop movie-goers from scratching their heads and wondering why its leading lady, Margot Robbie, and visionary director, Greta Gerwig, were left out in the cold. But before I look into the drama, let’s take a step back and untangle this web of Hollywood intrigue.

Why was ‘Barbie’ snubbed by Oscars? london mums magazine collage

Margot Robbie’s enigmatic presence stole the spotlight last night with her strapless black Versace fall/winter 2024 dress, adorned with subtle gathered detailing at the waist. In a departure from Barbie’s signature pink, Robbie opted for a bold all-black ensemble, devoid of any accessories save for a chunky gold bracelet accented with diamonds by Fred Leighton. Her blond hair fell effortlessly in a straight style, framing her face with understated sophistication. As fans speculated on social media, the absence of vibrant colours and extravagant adornments raised intriguing questions. Could Robbie’s choice of attire be a subtle form of protest against her Oscars snub for Best Actress? The speculation mounted as comments flooded in, with some suggesting that the minimalist black dress is indeed a statement of dissent against the Academy’s oversight. Robbie’s transformative journey as Barbie has seen her embrace various iconic looks, from the OG doll’s 1950s swimsuit to a vibrant neon pink minidress reminiscent of 1992’s Earring Magic Barbie. Yet, in this moment, her decision to don a sombre black ensemble speaks volumes, sparking conversations about power, representation, and the complex dynamics of recognition in the world of cinema.

Ken and Barbie, those iconic figures from the toy shelves of our childhood, are the faces of Mattel, not the silver screen. They may have captured our imaginations, but they’re not eligible for Oscars because, well, they’re not real people. So, while Ken might have snagged a nomination for the golden statue, Barbie was left twirling in the wind.

But let’s rewind to that fateful July weekend when “Barbie” and “Oppenheimer” collided on the big screen, setting the stage for a showdown of epic proportions. While “Oppenheimer” racked up 13 Oscar nominations and received seven by the end of a not surprising awards ceremony, “Barbie” found herself with just eight and obtained one (for a song), leaving many wondering if there was some bias lurking in the shadows of Tinseltown.

As the stars of both films took to the stage at the Oscars, there was a playful banter between Ryan Gosling and Emily Blunt, who both playfully acknowledged the Barbenheimer rivalry. But behind the jokes, there was a hint of truth lingering in the air.

Despite its box office success and critical acclaim, “Barbie” seemed to stumble when it came to the Oscars. Margot Robbie’s portrayal of the iconic doll captivated audiences, yet she found herself snubbed in the Best Actress category. And Greta Gerwig’s direction, which breathed life into Barbieland, was inexplicably left out of the Best Director race.

But why did Barbie get the cold shoulder from Oscar voters? Some point to potential bias and genre prejudice, while others lament the Academy’s failure to recognise the innovative spirit of the film. But it could also be the slapstick genre that is usually underestimated and snubbed from the big wins. In a world where blockbuster film series reign supreme at the box office, “Barbie” dared to be different, blending humour, heart, and a touch of social commentary into a cinematic masterpiece.

Yet, despite the snubs and setbacks, Barbie and her merry band of misfits continue to captivate audiences around the world. And perhaps, in the end, that’s the greatest victory of all – to remind us that even in a world of plastic perfection, there’s beauty in being true to yourself.

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